Eliza Bennet

' A Woman's Work Is Never Done – flesh/ thread

' A Woman's Work Is Never Done – flesh/ thread

Social media was how I came across Bennet work, and this certain piece really caught my attention.

        ‘A Woman's Work Is Never Done – flesh/ thread
Series of photographs of bennet literally sewing the top layer of her skin to present a worn out working hand, which you would normally see on a man’s hand after a hard days graft doing ‘man’s jobs’.  As bennet talks about her work, it is directed at both genders but who have ‘women jobs’ as she explains the likes of cleaning, caring and catering. But those jobs are hard work and that’s what bennet is hoping her audience understand with this as I say ‘extreme’ way of showing this notion.
I feel I have to talk about this as it really inspired me of how simply it isn’t about media of a pen or pencil and a canvas or paper, using yourself as the art work to which communicates to the audience directly to show how as an artist bennet feels. Its courage which I feel every artist/designer needs to push themselves in their profession- make people talk, make them gossip make them have their opinion and stamp on it just how I’ am by wanting to write about bennet in a positive way, as this work really made me see the bigger picture of how Bennet using this ‘womanly’ way of embroidery to show these sexist humans that embroidery or even women’s work isn’t easy and we do graft as any other human being. I work and go to university that’s two jobs. I may not have worn out hands but I do work as hard as anyone- I never compare I never have and never will as people do have certain work strengths which people can be better than others but I believe everyone tries there best in a job that they love or even like, so for Bennet to create this strong and brave move just gives women and even men a positive and some sort of sense of relief to say “yes I do work hard”

Chantal De Gaudio

Abundance III

Gloss paint and gold leaf on Masonite

122 x 80 cm

Framed size 126 x 84 cm

 

London based artist. Taking inspiration from gaudio is how I have interrupted her way to capture the audience than her actual work. Gaudio work is very powerful but it’s the message behind it that makes it more powerful to the audience- the works between masculine and feminine of both being very powerful and dominant beings.

The usage of colour involved in Gaudio works are so lively and energetic to the audience and the marks used to create that wilderness of flowers being blossomed on branches is reflected beautifully. The strong mark making lines of the branches are very bold and strong to which you can see that’s the masculine lines and combined with soft pastel colours of the blossoms with rich gold colours blooming out shows the feminine side. Having the two combined together creates a very dominate bold piece for both genders.



MMU Degree Show.

18^th JUNE.  The degree show was defiantly an eye opener for myself, you don’t realise when you attend degree shows or art galleries that these creators have been in the same boat as myself, they all started off as first years, confused of what pathway they may take, what risks they may take, and most likely doubted there selves and the style of how they communicate- does it fit in the real world?
Walking through benzie just how I normally do, walking towards the textile department ready to see what this studio has transformed into. It was creative. The whole transformation was creative and to then see the work flow together was even more creative. Walking up the floors seeing the likes of graphics and film was different. Even being in the same building you don’t tend to go up any floors especially to graphics or films floor. But the stuff they had created was on par with textiles. The rooms were so bright and well coloured and seeing the hard work and dedication towards these artworks was very moving.

The first work that caught my eye was a textile in practice student named Annie Baker. The picture shown is Baker work that was presented at the show.  
This piece was just my style. It’s simple but yet a lot of work went into this outcome, the lines which are hand painted are so crisp and bold and would fit into a modern interior. In the bio Baker mentions her interest in surface and textiles which is a strong interest of mine also. Mark making is key to her work to be a wallpaper designer and you can clearly see this in her work that the mark making is how she communicates. In the bio its interesting of how she is wanting to became a wallpaper designer of designing/working with a high-end company or creating her own brand- me wanting to go down the same field as Baker is very useful information of me not knowing many high end companies is very useful source for me. Be very positive to hear of Annie baker’s success and wish her all the best in her career as a wallpaper designer.

Annie Barker
 

3D design students created this exciting and ‘funky’ piece of work. When I saw it for the first time it just caught my eye straight away I thought “Oh wow. That looks funky” I just think it’s beautiful. The colour, the ‘fringing’ it’s just so very contempary for 2015 especially having fringing to it- everyone loves a good fringe. The colours being so bold and in your face just cheer up a gloomy day.

I didn’t know if you could or could not sit on these chairs but I didn’t want to test the theory in case I broke one- but to me wanting to sit on these chairs/ sun loungers I felt it captured its audience as that is the purpose of wanting to sit and use them for day to day intentions. They just look so comfy and very classy all ideas of using them and where they could be placed were in my head. Just loved them. What I took from this art work was clientele. This work was done for a purpose it was produced to a certain standard, clients asked them, gave these students a brief to work to and from reading the bio, these students certainly pushed the bar.

3D Design students 50/50 seating project

 Farzana Ullah. Wow. Literally took my breath away, I didn’t know what to do I felt like I needed to touch it, stroke it, take picture or take it home. This piece is incredible.

This piece looks like wallpaper but a twist it’s a very interactive wallpaper. Like I said Wow. That is what you say literally straight away and you embrace it a little more and realise this piece has a 3D element to it- just want to touch it! The colours the texture the surface of it all is amazing and for a wallpaper to be that interactive is incredible... the only thought was where would its cliental be? Would it be Gallery or interiors?
I love layers. Layering and layering all day is ideal for me and to see this standard of layering is breath taking. I just couldn’t believe it. With Ullah work it is beautiful but only Ullah could do that where for me it is too complicated and over powering but to look at is lovely but not my style. From Ullah work I do take inspiration of knowing if I keep the layering and texture on going I could possible produce work to a similar standard and that’s what I like to think.

Farzana Ullah

The students I have spoken about have let me have an insight to what I could achieve one day and its exciting but scary, but all of them have gave me advice from the works of be original keep to your strengths but as well take the risk by collaborating and keep to how you communicate through the use of textiles.

Tracy Kendall and Miss Selfridge- Market research

Thoroughly reflecting on my research it has lead me to take inspiration of a wallpaper designer named Tracy Kendall of how details her works are from the texture involved in them and a key favourite of mine being layering, Kendall’s work was insight into the kind of context I would like to consider for future development of working with paper instead of fabrics, from having the advice of having to wait till I can produce prints on wallpaper did set me back in context as it would not be how I would like it to be. But the focus is fabric and the guidance I’m needing is looking what I can achieve through my deigns on fabric.

“The wallpapers have always been designed and made to be a part of a complete interior story, adding pattern, image, texture and depth to the overall interior design scheme making every space personal and special to each client.”

 

Over the holidays I saw in a shop window a very similar format to how we are being asked to work, this format wasn’t wallpaper as such in an interior concept it was a wall hanging in a shop window which was show casing the new fashions- these hangings were full of bold bright patterns ( Miss Selfridge image 1,2). From seeing this type of window displaying, it has made me see potential in my deigns… To letting me think, could I do this? So through seeing a window display it’s still keeping my initial design process being a wallpaper, but it has gave my work a whole new concept to which I do not need bold and brilliant patterns to compete against miss Selfridges window display, as mine differs from these pieces as I’m not letting the print take over with simple clothes presenting themselves against the back drop, my idea is vice versa of having a ‘neutral’, ‘isolated’ back ground incorporating fresh new trends coming in.

Reflection

The group crit was to show the final design and basically let each other see each others journeys.. I found explaining the work I have produced was quite simple, it was the ‘digital designs’ that got more feed back than the original final, the digital designs became more popular ( lines of enquiry blog, photocopy 3&4) so a suggestion was made to see if I could try my deigns out on fabric instead to see what the outcome would be like from that.
As the colour was lost I worked back into my images and created various colour pallets to choose for ready to work with in the deigns I recreated, which I mainly focused on colour, scale and composition.

The image are the ‘digital designs’ to which I did digital prints of, as suggested test out. The fabric used was cotton. These samples I’m very pleased with. How they have turned out has worked well in my favour as I would never have thought to do them. The colour has come out very well, some areas a little too bright but overall very pleased with the outcome. Seeing the outcome of these prints made me question myself a little of asking myself should I of done my final design using digital print, as the marks from the brush would of came out effectively as well as the colour? I do regret not trying out my final design as a digital print.













 Completing the task to finalise my design that I felt happy and confident with.. I was more relieved than anything as now I just had to create this design. Taken from the crit it was fine to say the techniques I was wanting to use just now to get a slot to create my work. The heaviness of fabrics also was helpful as struggling to see what kind would be suitable for my design to which I did need to try out for myself. The type of fabrics was a mixed response of either heavy or light depending on how I wanted my piece to hang.

A day of mixing and testing out dyes. The image is of three fabrics I had to test out. One being cotton satin, heavy cotton and some type of linen. Needing to sample with different types of fabrics to see how the dyes would affect the quality of the fabric and the dyes. The yellow worked very well to the colour pallet whereas the green and the grey did not work as well. The green was too green a lot darker than I expected so adding a reduction paste to it worked wonders, the other type of green seen on the image which looks a little more faded than the rest is the green I wanted and the faded green worked well next to the yellow to bring out the colour more. The grey I wanted I struggled with as going by the recipe it seemed simple but in this case it wasn’t. The grey was a blue ish grey. To resolve this problem was very hard to resolve as it was a case of mixing more colours into the pot and to hopefully get a grey. I did attempt a few times but could not get the right kind of grey, I did improvise a little of making this bluish grey work by knowing I could foil on top of the colour as well as use a little paint to help lift the grey.

Reflecting back on this experience now, it’s the crits that stood out to me the most. Realising now that it is so helpful and useful to have peers to vent to, discuss, de construct and to have a bit of reassurance is brilliant. Time management skills would be helpful for me in the future of organisation.  

Reactive dyes, foiling and paint was the techniques used for my final piece and to finish off using black thread to over lock the edges to create a statement border to bring out the colours even more.

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Line of Enquiring

south pier silver

The final week before Easter has again let me show how my context is being more considered. But now I’m finding out which key image I want to take further into a possible colour palette as well as how I can achieve my design through prints.

From my group crit it was clear that the wallpaper context was strong but I needed some market research to help, as it’s very easy to suggest wallpaper of some sort, but what concept? Interiors? In this case yes interiors is the key to my idea but more of a feature wallpaper of some sort. As I could not have numerous pieces so it could not be a pattern wallpaper that matches, I was thinking more towards a column that some apartments or spaces have in there modern houses nowadays. Because of the scale I thought it was easier to find a concept like modern interior to help fit.


sketch book

Reactive dyes was a suggestion because of my marks through the use of colour, (after Easter is when I can attend a workshop). It was the work shop of foiling that really made me think more of my colour palette. (silver image) from the south pier as seen the metallic involved in this image and from my work (2^nd image from sketchbook) made me head towards that palette more from how I can achieve this effect still as well as whilst I originally started drawings from these photographs I had more of a ‘connection’ to the silver image, I felt more enthused by it and wanted to really recreate this tone of silver whereas the others I did not get into as much. So in my mind now I feel the silver palette is the one but then it’s hard to decide right now as still being in early stages of development.

Looking back on this week I do feel a lot more confident as the body of work has come on as I have been generating a few designs (images 3, 4 ) which are from mainly photocopied images of my drawings to which I have had a play with to look for different compositions and to see if my ideas would actually come together.  Easter is where I’m setting myself targets to complete for when I return. I need to pick for definite the colour palette, to then when focused on this colour palette to do a further more designs. I just need to keep my development on going at all times I feel, I need more than just one design I need multiple to choose from just to show I have explored different compositions and different ways to my designs.

photocopy 4

photocopy 3

Returning back, I felt like I had definitely explored many possible designs ideas for a final piece. In the images some are from photocopies of my original drawings that I pieced together to create new designs which I added my ‘rows’ deigns into, some of the designs I worked with I had to think a lot about composition of how the ‘rows’ could still be effective from being strong colours. So some designs I striped back to make simpler which I included the rows with. The images I class as digital I feel are very strong and would of looked more effective if my work could have been paper based but because I could not I tried to work back into using paint. As can see in the images I chosen the silver palette so from the paint designs I created greyish/ silver tones. The body of work I produced I felt confident with.

Being the first group crit back from Easter I explained how my pallet is now the silver palette and from over Easter explained in ‘Window Display’ blog I liked the idea of creating a window display piece but with the use of fabric and what kind of techniques I’m wanting to use in my work being reactive dyes, foiling, screen printing and possibly embroidery. The feedback given it was clear I had shown enough development from thinking about deigns but I just needed to stick to one deign. Also it seemed like the colour palette had been lost somewhere, possibly in the busyness of the designs to which made me loose the original concept of isolation clashing with the ‘rows’. I admit I did get carried away to which made me loose the original purpose.



silver palet paint

silver palet paint

Rows composition

As can see in my first scanned images (research) the photo copier picked up some unusual colours which worked. So from that I need to look back at these photocopied images and feed the colour out of them to add some colour back into my work again. The task in hand is to recreate a colour palette and finalise my final designs by Monday ready to present for the big group crit.




Research

south pier
 

south pier silver
 

south pier
 

To start off unit X the theme as such was "archives" to which this word archives allowed us to start this thought process to black pool.

Black pool the wonderful seaside, fresh air, blue skies and sea fronts filled with black pool rock, fish and chips and fair grounds. The place all families go for a day out. But on the other hand of my visit it was cold, windy and no one to be seen accept the textile group... not the black pool I know.

To start this research, was visiting black pool library to see the archives stored there, followed by a trip on the sea front to then visit the illumination's and then the south pier. It was enjoyable looking back a black pools past and trying to guess the eras. But what stood out for me was how packed it use to get, black pool use to be the place to be, if you didn’t go black pool then more fool you.  Through the whole talk it was the word ROWS that’s stood out for me, picturing and even seeing these crowds of people gathered round on these piers. It was the only word that stuck out for me at the time. Following on when visiting the illuminations and seeing how they are created was the visit to south pier.
South pier is not one of the piers you really hear about very much but it’s known for its art works. Once on south pier it was peaceful and quiet and the weather was amazing to create a wonderful backdrop for these artworks. But, whilst standing on this isolated pier it was then I kept imaging all these flocks of people in their Sunday best dresses, coats, hats all here in there deck chairs.. Row after row after row all crowding round each other enjoying the weather and the sea side.  But in contrast it was just calm and quiet... relaxing
It’s fair to say from the first week it was the black pool trip that got my research flowing, not the talks that we had.



Rows.

Gathering the photos from black pool, it was these three images that really stood out to me ( South pier) it was just generally because I liked them and it was something about them what I liked but couldn’t put them into words of what I liked about them. The Second image was a quick flow of an idea I needed to get out. This was purely me thinking rows, could not get rows out of my head.
Those images and the drawing produce was my lead. They are the starting point. From the three ‘isolated’ images I taken I started to create color and collage in them, I never wanted to recreate them I just wanted the color and texture out of them just to get me going to be ready for the crit.


collage 1

collage 2
 

collage 3

Taken from the first group crit gave me a clear understanding not such an idea, it guided me to focus on my strongest areas which was mark making through my "isolated" images that I recreated.

I found it hard to try and think of a context straight away at first, but once discussing my initial findings and presenting them  in a mood board and allowing as group to see what I produced clearly, it was more of a straight forward decision that in my mind and on paper it was wallpaper that was the context. Taken forward from my first group crit it was clear I needed to get my ideas moving and get my context moving also. For that next week that is the focus of looking at artists and context, as well as getting my ideas flowing.Further key to my development at this stage was the Friday drawing day exercise of scaling up and scaling down pictures, drawings etc. from the research gathered. But it wasn’t the 5x5cm squares produced that gave me the idea it was how I was blowing up and down my work which allowed me to look into quiet interesting areas of my work instead of the whole piece. To which that then helped me focus on what I could do with my work.

From generating this primary research into secondary I needed to get it flowing into stages of ideas.